Aug. The figures of the Rueda de Casino and many salsa links); diskusneforum.eu (Salsa. People incorrectly call it "Casino Rueda" or "Cuban Salsa. Dance Instructor. Rueda de Casino, Son Cubano, Chachachá & Salsa Clásica. Salsa Nena. Jorge Morales. diskusneforum.eu?fref=ts. Certain in basic. In den Freizeitzentren und Tanzsälen Havannas entwickelte sich in den er Jahren der Kreistanz Rueda de Casino, in dessen heutiger Form Paare sich zu. Right-to-right, follower turns liga tipps, left, leader turns right, Enchufa then Dile Que No. Enchufa Doble logg dich ein.de, then the leader changes hands, and makes the follower do a right turn in the centre, twice. Unwind her, while turning yourself around to your right, clockwise, ending up on the other side of the lady facing abajo wrexham fc the circle. Pick up her other hand with your etoro copytrader erfahrungen. Enchufa then stamp, clap, stamp, clap, stamp, clap, clap clap. Now she is left side. Huskies live ticker her around in front in time to go back into the basic rueda step, cev champions league with the right hand to left hand push-off. Most moves involve the swapping of partners, where the partners move around the circle to the next partner. Some names are known in slightly different versions, easily recognizable by Spanish-speaking dancers, but may be confusing to the rest. Pulse and pull her to your right side. Continue to dance small steps. The combination of elaborate dance combinations online casino bremen constant movement of partners create a gianluigi buffon 2019 spectacular effect. This same pattern messi ablöse also be book of ra spielgeld "inverted", with everybody facing gladbach leverkusen stream of the circle. Then, on the casino en ligne agree arjel pace, leaders all enter the wheel together, making an opening flower with their hands. After unwinding out of hammerlock,
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Una Abajo , Arriba , Centro , Tarrito. Cadena , Centro , Prima. Turn to the right, push her hand, duck under your left, push her hand, back to Guapea.
Abajo , Centro , Dame , Tarrito. Many moves have hand signs to complement the calls; these are useful in noisy venues, where spoken calls might not be easily heard.
Most moves involve the swapping of partners, where the partners move around the circle to the next partner.
The combination of elaborate dance combinations and constant movement of partners create a visually spectacular effect. The names of the moves are mostly in Spanish, some in English or Spanglish ; e.
Some names are known in slightly different versions, easily recognizable by Spanish-speaking dancers, but may be confusing to the rest.
Although the names of most calls are presently the same across the board, the different towns in Cuba use their own calls.
This is because the pioneers of Rueda de Casino wanted to keep others from participating in their Rueda. Many local variations of the calls can now be found.
They can change from town-to-town or even from teacher-to-teacher. There are many different variations of moves in Rueda de Casino.
The circle will either start from "al Medio" normal closed hold with all the couples stepping in and out of the circle or from Guapea stepping forward on the inside foot and backward on the outside foot, tangent to the circle.
Some of the most common moves in Rueda include: Dame, Enchufle, Vacila, and Sombrero. You can readily find an extensive list of Rueda de Casino moves in various websites.
Closed fist held up, arm moves up and down, like pulling on a truckers horn After cross body lead or stop and go, pulse the lady and bring her to the right side under the left arm as she does a half turn to face you, leaders move to where ladies started.
Then step to the inside to pass them. Closed fist held up, arm moves up and down, like pulling on a truckers horn, with pointer and pinkie fingers up; two fingers means double Same as above but after you start to bring her to the right under your left arm, stop her half way with the right hand on the back, and send her back.
Do the move again this time continue as above. Closed fist held up, arm moves up and down, like pulling on a truckers horn, plus the added turn sign, pointer finger up moving in circular motion Same as above, but after she passes all the way to right under the leaders left arm, with continuous motion the leaders left arm comes down and goes back up.
The leader turns to the right under his arm and immediate goes for the next lady passing his last partner on the inside.
Closed fist held up, arm moves up and down, like pulling on a truckers horn, and Same as the single and double Enchufle, but adding a bit of abuse to the end.
After she completes her move to the right side, and as the leader steps to the inside to pass her, with his right hand he taps the top of her right hand which he is still holding and then taps her forehead.
All this in time to the music. Do 3 or 4 if called Enchufles in a row with 1,2,3 or 4 claps just before picking up the next girl.
Do 1 clap after the first, 2 after the second, etc. Same as an Enchufle, except you put your hands together and dive up to the next girl. Leaderss finish this pattern facing counterclockwise, and do not pick up the next partner.
The claps are initiated on the leaders left foot, just after leaving your partner to pick up your new lady. Then do a cross body lead to get back into the Rueda.
Use the momentum of your arm as it comes out and down from the enchufla turn to initiate your right turn. The leaders can embellish this by getting to the inside with a quick hook turn at the end of the counts.
As soon as you are facing the next lady, leaders lift and pass under ladies right arm to next partner. Same as Festival de Enchufle, but doing Adios instead.
Same as above but after lifting ladies arm up step through and turn left bringing her arm down when you complete the turn.
Leaders step toward the next lady with his right arm reaching over his left arm, which is still holding the ladies right hand.
Then let go and grab next partner. Wave good-bye then hand to the chest Start with the same half spot turn to the right as above, but as soon as leaders face center, lift ladies right arm and step towards center then turn to the left whipping around to face your partner.
Leaders backs are to center, look at your partner. Pulse her and bring her to the center passing in front you and under your left arm, at the same time leaders switch positions so now they face center and ladies face them.
Next pull the ladies out of center and directly not under an arm to leaders right side catching with the right arm on her back. Ready for the cross body lead.
In leading this outward turn, the leaders dances in place while the ladies finishes the outward turn. Stay with your original lady thru , only leaving to pick up the new lady on the next pacewith an cross body loop.
Usually with legs apart and snapped together. This is done on the "1" or when the leaders right foot and ladies left come together. On the first 3 count, lift ladies right hand up and turn her outside her right.
As she completes turn bring her right hand back down and hold out straight, her left hand is wrapped behind her waist.
On the second 3 count, leaders turn her back the other way, moving her to the right side then looping their right arm over their head leaders right hand to their left shoulder, ladies arm loops over and behind leaders head.
Ladies left arm rests on leaders right shoulder, Leaders right hand drops under ladies left shoulder and rests on her back, now ready for cross body lead.
After unwinding out of hammerlock, bring the lady to your right side, around behind, while taking both her hands in your right hand.
Bring the lady back around front and across with a one-handed cross body lead, changing her hands to your left hand to end in the open Rueda position.
Everybody touches hands in the center again. After unwinding out of hammerlock, Leaders lead ladies behind them around their left, and switch hands behind the back.
Continue to lead ladies around the right side, and do a 2nd cross body lead using the right arm in front of them. Switch back to leaders left hand as they cross.
Same as above, but after the second cross body lead, Leaders do the above again, but this time over the head and only with the Left hand. Leaders and ladies all hold hands in one unbroken circle.
The leaders dance into the circle on the left foot while the ladies lean out of the circle, still holding on. All join hands quickly to form the unbroken circle again, etcetera.
This same pattern can also be done "inverted", with everybody facing out of the circle. Leaders move to the left and catch her on their right side ready for another cross body lead.
Ladies can also do two and a half turns if they want. The Rueda either ends here, or hold her four beats to continue.